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« The other soprano soloist of this grand choral Miserere, the Ukrainian Evelina Liubonko, shapes her vocal line so well that, due to the diffraction of sound, it seems to come from different directions - all the more so as her phrasing is of radiant elegance.»
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«...Vocally, however, Evelina Liubonko as Merione is the star of the evening. Her effortlessly crystal-clear coloraturas are a delight and were rightly celebrated by the audience...»
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«...Merione. In this role, the young Ukrainian soprano Evelina Liubonko shines with furious coloraturas, which were rewarded on the spot with mid-scene applause. »
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«…Travel companion Merione... That the young Ukrainian Evelina Liubonko portrays her as a young girl and endows her with impressively secure coloraturas crowns a well-balanced ensemble performance.»
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«…Coloratura — which is, in turn, the speciality of the enchantingly lyrical Evelina Liubonko.»
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«... when one has excellent singers at their disposal... such as Evelina Liubonko, whose Merione reaches piercing heights »
«Opern Welt» Magazine
Volker Tarnow
Volker Tarnow
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« In the end, Countess Almaviva and Susanna take control. Both win the game by a wide margin: Evelina Liubonko (Susanna) impressed with her youthful, fresh soprano and spirited acting. »
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« From the soloist quartet... the soprano Evelina Liubonko deserves special mention, as she spiritedly and delicately shaped the lyrical side of Handel. »
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« A brilliant cast that, alongside Kaufmann, played a major role in shaping the entire evening — not least with an erotic note…Zaubermädchen… they sang excellently.»
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Interviews
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Other references
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